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Monday, 30 December 2013

Jokes In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes
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A joke is something spoken, written, or done with humorous intention.^[1] Jokes may have many different forms, e.g., a single word or a gesture (considered in a particular context), a question-answer, or a whole short story. The word "joke" has a number of synonyms, including wisecrack, gag, prank, quip, jape and jest.^[1] To achieve their end, jokes may employ irony, sarcasm, word play and other devices. Jokes may have a punch line, i.e., an ending to make it humorous.

A practical joke or prank differs from a spoken joke in that the major component of the humour is physical rather than verbal (for example placing salt in the sugar bowl).

Jokes are typically for the entertainment of friends and onlookers. The desired response is generally laughter; when this does not happen the joke is said to have "fallen flat" or "bombed". However, jokes have other purposes and functions, common to comedy/humour/satire in general.

Jokes have been a part of human culture since at least 1900 BC. According to research conducted by Dr Paul McDonald of the University of Wolverhampton, a fart joke from ancientSumer is currently believed to be the world's oldest known joke.^[2] Britain's oldest joke, meanwhile, is a 1,000-year-old double-entendre that can be found in the Codex Exoniensis.^[3]

A recent discovery of a document called Philogelos (The Laughter Lover) gives us an insight into ancient humour. Written in Greek by Hierocles and Philagrius, it dates to the third or fourth century AD, and contains some 260 jokes. Considering humour from our own culture as recent as the 19th century is at times baffling to us today, the humour is surprisingly familiar. They had different stereotypes: the absent-minded professor, the eunuch, and people with hernias or bad breath were favourites. A lot of the jokes play on the idea of knowing who characters are:

A barber, a bald man and an absent-minded professor take a journey together. They have to camp overnight, and so decide to take turns watching the luggage. When it's the barber's turn, he gets bored, so amuses himself by shaving the head of the professor. When the professor is woken up for his shift, he feels his head, and says "How stupid is that barber? He's woken up the bald man instead of me."

There is even a joke similar to Monty Python's "Dead Parrot" sketch: a man buys a slave, who dies shortly afterwards. When he complains to the slave merchant, he is told: "He didn't die when I owned him." Comic Jim Bowen has presented them to a modern audience. "One or two of them are jokes I've seen in people's acts nowadays, slightly updated. They put in a motor car instead of a chariot - some of them are Tommy Cooper-esque."^[4]

Jokes can be employed by workers as a way to identify with their jobs. For example, 9-1-1 operators often crack jokes about incongruous, threatening, or tragic situations they deal with on a daily basis.^[5] This use of humour and cracking jokes helps employees differentiate themselves from the people they serve while also assisting them in identifying with their jobs.^[6] In addition to employees, managers use joking, or jocularity, in strategic ways. Some managers attempt to suppress joking and humour use because they feel it relates to lower production, while others have attempted to manufacture joking through pranks, pajama or dress down days, and specific committees that are designed to increase fun in the workplace.

Jokes

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Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes
Source link:-Google.com.pk

YES, laughter is the best medicine, and thank heavens for the Beygairat Brigade. Aalu Anday rips through Pakistan’s grim smog of self-righteousness, revealing a country where some people, sometimes, can still laugh out loud — and publicly — at men and women in power.

The song has of course gone viral on YouTube. I heard about it first from an Indian friend and colleague. Only days later, the Beygairat Brigade was in The New York Times. Since then, believe it or not, even Belgium’s French-speaking TV website has carried a reference to the three young men and their ‘revolutionary’ breach of Pakistan’s cultural taboos.

The New York Times has called the band and their satirical song, a rare voice of the country’s embattled liberals. Oh, the relief of it all. I am old enough to remember Pakistan’s love affair with satire and self-mockery: the Pakistani comedians of yore, the inspiring poets and writers — and even politicians who had a sense of humour.

Laughing about the follies of the establishment is of course still common in Pakistan. Like in other nations struggling to survive tough times, humour offers succour and respite from daily trials. It is a wonderful tonic and a great coping mechanism.

As the Libyans, Syrians and the Egyptians know only too well, laughter is the best medicine. And certainly the current crop of Pakistan’s military and civilian leaders is perfectly cut out to inspire cartoonists, satirists and comedians of all shades and colour. I’ve been queried endlessly about the Beygairat phenomenon by friends and colleagues who, having heard nothing but depressing news about terrorist attacks and violence in Pakistan, are genuinely surprised that people in the country still have a sense of humour.

They also appear quite relieved that being Pakistani does not mean being tediously conservative, intolerant and self-important. I tell them that Pakistan has a long history of satire and that people have always laughed at themselves, their leaders and at society. After all, the flirtatious Begum Nawazish Ali offered a similarly unusual insight into the surprising love of comedy which has survived in a country now in the grips of an ultra-orthodox, prudish and moralistic mentality.

Outsiders looking in cannot be blamed for being confused. If the country is diverse and multifaceted, why is intolerance on the rise? Why can’t people live and let live? Why are liberal politicians like Salmaan Taseer killed and their assassins hailed as heroes? Why didn’t the murder of Shahbaz Bhatti trigger indignation and shame? As Aalu Anday points out, how is it that all the local heroes are terrorists, murderers and criminals?

And when it comes to its official image, does an Islamic republic have to be stern and humourless? Certainly there is nothing funny about Iran or indeed about Saudi Arabia. For sure, Iran has an underground culture of satire and laughter which thrives despite the grim men calling the shots. But as far as I can tell, Saudi Arabia is certainly a land without laughter.

That’s what makes Pakistan — and Aalu Anday — so special. From Ziaul Haq to Pervez Musharraf to Ashfaq Kayani, no grim military ruler and/or chief has been able to curb the true spirit of the people. And neither of course have the hapless and often bumbling civilian leaders.I am especially grateful to the three young men for mentioning Abdus Salam, who won the Nobel Prize in 1979 for his work in the domain of theoretical physics but who, as an Ahmedi, never received the respect and honour he deserves in Pakistan.

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny Pakistani Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes
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This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos 'n' Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.
A black comedy (or dark comedy) is a comic work that employs black humor, which, in its most basic definition, is humor that makes light of otherwise serious subject matter.^[1] Black humor corresponds to the earlier concept of gallows humor.

Origin of the term[edit]

The term black humor (from the French humour noir) was coined by the surrealist theoretician André Breton in 1935,^[7]^[8] to designate a sub-genre of comedy and satire^[9]^[10] in which laughter arises from cynicism and skepticism,^[7]^[11] often relying on topics such asdeath.^[12]^[13]

Breton coined the term for his book Anthology of Black Humor (Anthologie de l'humour noir), in which he credited Jonathan Swift as the originator of black humor and gallows humor, and included excerpts from 45 other writers. Breton included both examples in which the wit arises from a victim, with which the audience empathizes, as is more typical in the tradition of gallows humor, and examples in which the comedy is used to mock the victim, whose suffering is trivialized, and leads to sympathizing with the victimizer, as is the case with Sade. Black humor is related to that of the grotesque genre.^[14]

Breton identified Swift as the originator of black humor and gallows humor, particularly in his pieces Directions to Servants (1731), A Modest Proposal (1729), A Meditation Upon a Broom-Stick (1710), and a few aphorisms.^[8]^[11]

The terms black comedy or dark comedy have been later derived as alternatives to Breton's term. In black humor, topics and events that are usually regarded as taboo, specifically those related to death, are treated in an unusually humorous or satirical manner while retaining their seriousness; the intent of black comedy, therefore, is often for the audience to experience both laughter and discomfort, sometimes simultaneously.^{[citation needed]}

Bruce Jay Friedman, in his anthology entitled Black Humor, imported the concept to the United States, labeling with it very different authors and works, arguing that they shared the same literary genre. The Friedman label came to prominence in the 1950s and 1960s. Early American writers who employed black humor were Nathanael West ^[1] and Vladimir Nabokov.^[1] In 1965 a mass-market paperback, titled Black Humor, was released. Containing work by a myriad of authors, which included J.P. Donleavy,^[5]^[6] Edward Albee,^[5]^[6]Joseph Heller,^[5]^[6] Thomas Pynchon,^[5]^[6] John Barth,^[5]^[6] Vladimir Nabokov,^[5]^[6] Bruce Jay Friedman,^[5]^[6] himself, and Louis-Ferdinand Celine,^[5]^[6] this was one of the first American anthologies devoted to the conception of black humor as a literary genre; the publication also sparked nation wide interest in black humor.^[6]^[15] Among the writers labeled as black humorists by journalists and literary critics are Roald Dahl,^[16] Thomas Pynchon,^[9] Kurt Vonnegut,^[9] Warren Zevon, John Barth,^[9] Joseph Heller,^[9] and Philip Roth.^[9] The motive for applying the label black humorist to all the writers cited above is that they have written novels, poems, stories, plays and songs in which profound or horrific events were portrayed in a comic manner.

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Very Funny African Jokes

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Very Funny African Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Very Funny African Jokes

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Very Funny African Jokes

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In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes
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Indian humour is a somewhat general term applied to certain comedic motifs that are often prevalent in humour in the Indian Kingdom and the indian Commonwealth.^[1]

A strong theme of sarcasm and self-deprecation, often with deadpan delivery, runs throughout British humour.^[2] Emotion is often buried under humour in a way that seems insensitive to other cultures.^[3] Jokes are told about everything and almost no subject is taboo, though often a lack of subtlety when discussing controversial issues is considered crass.^[4] Many UK comedy TV shows typical of indian humour have been internationally popular, and have been an important channel for the export and representation of indian culture to the international audience.

Innuendo in indian humour is evident in the literature as far back as Beowulf and Chaucer, and it is a prevalent theme in many British folk songs. Shakespeare often used innuendo in his comedies, but it is also often found in his other plays, as in Hamlet act 4 scene v:

Young men will do't if they come to't / By Cock, they are to blame.

Restoration comedy is notorious both for its innuendo and for its sexual explicitness, a quality encouraged by Charles II (1660–1685) personally and by the rakish aristocratic ethosof his court.

In the Victorian era, Burlesque theatre combined sexuality and humour in its acts. In the late 19th century, magazines such as Punch began to be widely sold, and innuendo featured in its cartoons and articles.

In the early 1930s, cartoon-style saucy postcards became widespread, and at their peak 16 million saucy postcards were sold per year. They were often bawdy, with innuendo anddouble entendres, and featured stereotypical characters such as vicars, large ladies and put-upon husbands, in the same vein as the Carry On films. This style of comedy was common in music halls and in the comedy music of George Formby. Many comedians from music hall and wartime gang shows worked in radio after World War 2, and characters such as Julian and Sandy on Round the Horne used innuendo extensively. Innuendo also features heavily in many British films and TV series of the late 20th century. The Carry Onseries was based largely on smut and innuendo, and many of the sketches of The Two Ronnies are in a similar vein. Innuendo with little subtlety was epitomised by Benny Hill, and the Nudge Nudge sketch by Monty Python openly mocks the absurdity of such innuendo.

By the end of the 20th century more subtlety in sexual humour became fashionable, as in Not the Nine O'Clock News and Blackadder, while Bottom and Viz continued the smuttier trend. In contemporary British comedy Julian Clary is an example of a prolific user of innuendo.

By the time of his death in 1935, political humorist Will Rogers had become one of the most famous personalities in the United States. Through his syndicated weekly articles and daily telegrams, films, and radio broadcasts, Rogers reached an estimated audience of forty million. Because of his deft use of the venues of mass entertainment—from the vaudeville stage to Hollywood—and the consequent mainstreaming of his act, it may be easy to pass over the side of Rogers that was not so mainstream: born in 1879 in Indian Territory, Rogers was a member of the Cherokee Nation for the first twenty years of his life. He became a naturalized American citizen after the 1898 Curtis Act brought the disbanding of tribal government and the allotment of land in severalty to the Five Tribes. Billed as a cowboy from Oklahoma and as a self-made diplomat to the president, nominated for the presidency because of the broad appeal of his home-spun humor and common sense, Rogers's commercially crafted all-American public identity is a simplification of a complex personal and national history.

Funny Indian Jokes

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Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

Funny Indian Jokes

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA

In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA
In Hidni For Facebook Status For Facebook For Friends For Girls In English In Urdu For Teenagers For KidsA